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Cinema decoded beyond the traditional, populist lines

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Jul 6, 2023Jul 6, 2023 Mayur Lookhar

Insidious: The Red Door review: Redefining horror through an ‘art’ form

Jul 3, 2023Jul 3, 2023 Mayur Lookhar

The Swimmers review: Aspirational story during refugee crisis or opportunism?

Jul 1, 2023Jul 1, 2023 Mayur Lookhar

Gadar 2 song Udd Jaa Kaale Kaava: Mithoon’s recreation of the timeless melody is endearing

Jun 30, 2023Jun 30, 2023 Mayur Lookhar

Indiana Jones and the Dial of Destiny review: Not quite the fitting farewell to Harrison Ford as Indy

Jun 29, 2023Jun 29, 2023 Mayur Lookhar

The Night Manager review: Aussie Benjamin Jasper’s visual artistry lights up the desi adaptation of the popular British series

Jun 29, 2023Jun 29, 2023 Mayur Lookhar

Lust Stories 2 review: 4 shades of lust! 2 hit your senses, 2 feel like premature ejaculation!

Jun 24, 2023Jun 24, 2023 Mayur Lookhar

Tiku Weds Sheru review: Avneet Kaur’s Tiku has shades of Kangana Ranaut

Jun 22, 2023Jun 23, 2023 Mayur Lookhar

The Three Musketeers: D’Artagnan [English] review: Martin Bourboulon adds his flavour to Alexandre Dumas’ ‘swashbuckling’ classic

Jun 22, 2023Jun 22, 2023 Mayur Lookhar

The Kerala Story, The Kashmir Files, The Ajmer Files are stories that need to be told but…

Jun 19, 2023Jun 19, 2023 Mayur Lookhar

Adipurush cringe dialogues! Shouldn’t the film be sent to CBFC for recertification?

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